PLAYWRIGHT & PERFORMER
CURRENT SHOWS
SON OF A MAN
"Son of a Man" explores the often-complicated dynamic between fathers and sons. The story follows Cooper, a man grappling with years of unspoken resentment towards his emotionally distant father, Delano. When Delano offers a significant gift – his own childhood baseball card collection – as a heartfelt gesture of apology, it becomes a catalyst for Cooper to confront a lifetime of unresolved issues. The play delves into universal themes of forgiveness, regret, and the yearning for connection. It asks the question: can we ever truly repair fractured relationships, especially with time running out?
Black When I Was A Boy, is a an honest, moving, humorous look at a complex and powerful coming of age story, featuring the recollections of - Frankie Bates - emerging from childhood. As Bates grows into a teenager on the streets of Hill City, Kansas (pop 1,700) in the 70’s and 80’s in a mostly white community, his friends explore and stretch their understanding of sex, drugs, and rock and roll, he himself is tasked with developing tools for survival. Ultimately, a life threatening encounter with a band of rednecks and a couple of heroic cowboys change his perception on life forever.
BLACK WHEN I WAS A BOY: PART II BLACK OUT
Frankie Bates arrives in Dallas, Texas from a small town with big ambitions and his eyes set on making it in the entertainment industry. Shortly after arriving, he is introduced to Mr. Pope, a mid-level, out-of-the-box-thinking businessman and shepherd of young talent. While Pope grooms and imparts wisdom to the young Kansas native, everything goes well for the two until it begins to go very wrong. Bad advice followed by an even worse choice changes the lives of both men, leading to the total devastation of their relationship and leaving Frankie at odds with the value of his life.
BLACK WHEN I WAS A BOY - BLACKED OUT: PART II
REVIEWS
"What a powerful performance! From the moment Cooper took the stage, I was hooked. Weaving a story seamlessly from character to character, moment to moment, Cooper invites the audience to journey with him. Though the journey is interlaced with trauma and tragedy, a palpable sense of hope and resiliency remains. You do not want to miss this!
Mars Hill University was honored to welcome Cooper to Owen Theater, and we hope he returns soon! Cooper is a dynamic storyteller and teacher. I highly recommend his show to any college community!"
Joanie Grimm
Deputy Title IX Coordinator · Mars Hill University
"Cooper did a marvelous one person show of mutiple characters. He played each character exquisitly real using his entire body language to bring the different persona to life. I felt like he made his entire cast appear to me on stage. He was superb in drawing out my feelings of toughness and tenderness and everything inbetween. It was a heart opening portrayal of the dark side of human nature and how one can survive and rise from the adversities of life. thank you"
Heidi Dom
Mars Hill University Audience Member
"Very powerful performance. Raw, emotional, believable and very relevant to life in the US today even though the events took place 40 plus years ago!"
Chris Gansel
Audience Member
"Very engaging actor playing various roles that kept my attention. Very gutsy in subjects such as S.A. and using racial language to get his point across. This show must win an award at the Fringe Awards"
Matt Atkins
Audience Member - Hollywood Fringe
"The second part of Cooper Bates’ story of growing up black and finding his way in the world. In this performance we find Bates, a young adult, moving to the city of Dallas to pursue an acting career. Managing to get into a prestigious acting conservatory, he is soon confronted by the stereotyped casting of black actors. He makes friends, tries his hand at romance, begins to gain traction and confidence as an actor, and eventually catches the attention of Mr. Pope, a man with an eye for up-and-coming talent.
Unfortunately, things do not go as planned. Bates encounters a series of hardships, one after another, culminating in a moment of violence and ultimate disillusionment that leaves him traumatized and questioning everything.
As in Part 1, Mr. Bates displays ample skill in portraying the various characters in his life. The story is well paced, never lagging, and his gift for vivid description keeps us in the moment from the beginning to the veryend. It should be noted that there are depictions of sexual assault and suicide, so viewers are encouraged to bear that in mind."
Kelly Luck
Audience Member - Blacked Out - KC Fringe
"Mr. Bates is an excellent storyteller and brings the various characters to life with ease. The story is by turns humorous, harrowing, infuriating, and uplifting. There are scenes of racial violence in the performance but given the subject matter this is sadly inevitable.
As an aside, as this reviewer was composing this review, she kept thinking back to the climax (in which Bates finds himself in a sundown town) and the current controversy around a certain country song. As someone who grew up an outsider in small-town America herself, she naturally has a lot to say on the subject, but Mr. Bates’ performance is probably as good a rebuttal of that song and the sentiments behind it as one is likely to find. Recommended."
Kelly Luck
Audience Member - Black When I Was A Boy
"A well performed show for such a a heavy topic. I’m glad Cooper shared his story because it is so easy to forget the racism and discrimination heaped upon innocent children. This show is a must see!"
Lonnie
Audience Member - Blacked Out - KC Fringe
"A few technical quirks to work out, but I never blame the performer for that. Some performance jitters at the start, maybe? But by the second segment Cooper seemed to break through and fully embody the various characters he talks about. Altogether good show, and looking forward to hearing Part II tomorrow!"
Andi McM
Audience Member - Blacked Out - KC Fringe
"Great Show!"
Teresa
Audience Member - Blacked Out - KC Fringe
"A very well written and well performed show with both laugh out loud and touching moments. It’s a show that EVERYONE should see to get a glimpse into what it is like growing up as a black man in a white America. Five stars!!!"
Paris
Audience Member - Blacked Out - KC Fringe
"Growing up in Hill City, I was aware that some people were racist, but I never thought about how this affected kids. It was delightfully funny and devastatingly sad to see what our friend went through. I have food for thought for a while to come."
Tanya Parr
Audience Member - Blacked Out - KC Fringe
"So amazing and heartbreaking to know “Frankie” went thru this. As a classmate I had no idea. You were always one of my favorite people. This show is amazing! Must see"
Alice
Audience Member - Blacked Out - KC Fringe
"Cooper is a great actor and wonderful storyteller. Great story. Leaves me wanting to hear more."
Sandy Woodson
Audience Member - Blacked Out - KC Fringe
"Coopers performance is stellar and kept us at the edge of our seat, wondering if he’ll do a part three? His story is personal, and performed in such a palatable way that as the audience, it leaves you with a bit more empathy for others. This is an encore piece."
Tracey
Audience Member - Blacked Out - KC Fringe
"Having seen Part I the day before and Part II now, I can say it’s *helpful* to have seen Part I but not required. Yesterday the house was packed and the show was good. Today’s setting was more intimate, and the show was EXCELLENT. Cooper flowed right from introductions into the show itself so smoothly you couldn’t even see a seam. Engaging, heartbreaking, stories of hopes (real and false), anger (inward and outward), perceptions (by others and within self), great work!"
Andi McM
Audience Member - KC Fringe
Gomez Burton
Audience Member
"Very engaging actor playing various roles that kept my attention. Very gutsy in subjects such as S.A. and using racial language to get his point across. This show must win an award at the Fringe Awards Sunday!"
Maat Atkins
Audience Member
"I’m an urban-raised white woman/actress; to be invited into the experience of a rural-raised black man/actor is a privilege even as it is harrowing. We were acting students at around the same time in very different places — so many of the feelings/experiences are similar and SO many are quite different. Theatre should take you places you’ve never been and cannot go as yourself. This certainly did that for me. Brave, important, personal and specific. I’m in awe of Cooper Bates, the writer/performer of this work."
Margot Avery
Audience Member
"An intimate tale woven around the life story of Cooper Bates.. You are immediately drawn in by the vivacious characters that help drive a very powerful story of a small town kid realizing his dreams.. Captivating and Full of genuine Laughs.. a Must see!"
Shomari Davis
Audience Member
"A couple of things stood out for me:
The way Cooper shifts his body language and speech intonation to mimic the character he plays was masterful.
The writing, especially during the hardcore and wrenching moments, was a perfect blend of earthy description and ethereal ambiance.
Bravo!"
David Gev
Artist
"Wow! Wow! Wow! My heart was cracked open. This was a standing ovation performance. Grateful for this kind of vulnerable storytelling. Thank you for your courage, and capacity to tell your story fueled by so much love."
Leah Lamb
Audience Member - Hollywood Fringe
"I am completely blown away and in love at the same time. Triumphant achievement, can’t wait for more!!"
Tiffany Persons
Audience Member - Hollywood Fringe
"It's a story of a common black man that is a story that you have never heard and will change the way you see black men and humans forever."
Kim Hamer
Audience Member - Hollywood Fringe
"It was an exceptional show. His storytelling was amazing. I could visualize every word."
Valerie A Lacy
Audience Member - Hollywood Fringe
"An odyssey to make the unbelievable believable. Great show!"
Quint Hunnicutt
Audience Member
"Beautifully crafted. Superbly executed."
Lynn Jordan
Audience Member
"I saw part 1 of this series and really felt the depth of Cooper’s arc. However, this current piece dove deeper and brought forth a treasure trove of emotions. This is a poignant story, honestly delivered."
Donovan Marshall
Audience Member
"This was an unbelievable performance, and experience that I will never never forget. I am very grateful to experience this evening’s one of a kind show, and very grateful that I was able to meet Cooper. I’m not sure what I did in life to deserve this, but thank you Cooper, but I am sure I saw a masterpiece. God bless you!"
Robert Bonham
Audience Member
"Loved it! Keeps you engaged from beginning to end. I felt like I was a part of the journey. Loved how he held on to his faith through all of the adversity. I admired his strong conviction and spiritual connection."
Susan Craft
Audience Member
"A powerful and deeply honest show. It was brave of Cooper to talk about his experiences as a young man in a difficult subject. I hope everyone gets a chance to see it."
Nia McNeill
Audience Member
"Deep appreciation for Cooper's courage and grace in the telling of a painful and moving story. A door to the heart was opened."
Kelty Walker
Audience Member
"It’s astonishing how a show I’ve seen so many times can continue to surprise me. The depth, humor, eloquence, and vulnerability of Black’d Out is unique. The content is deep but delivery incredibly entertaining. Amazing show from start to finish."
Zayden Lee
Audience Member
"Both the performance and story were so well presented.The acting brought you right into the story. I was laughing, nodding, and sad all in one. The writing was so descriptive and well portrayed that you actually saw the characters and felt for some of them. It was amazing"
Rebecca Hedgepath
Audience Member
"It was our absolute pleasure to see Cooper LIVE & on stage doing what you can tell is his passion. We’ve witnessed all the dedication & effort he's put into all his shows! We are officially Cooper fans. We LOVED it. Cannot wait to see it again in Kansas City in July, 2023!!!"
Steve Bennet
Audience Member
Margot Avery
Audience Member
"Cooper Bates, As always, wows with his ability to bring characters to life, populating the stage with vivid characters ranging from mentors to destroyers – but all with a lesson for him.He left us on the edge of our seats. Cooper tears at our hearts as he weaves a tale of an innocence seared by the hot flames of adult depredation."
Sandra McNeill
Audience Member -Hollywood Fringe Festival
"The characters, the story, the vulnerability. It all really resonated and gave me new perspectives on identity. A lot happened in a small space. Made for a deeply satisfying night."
Matthew Gaffney
Audience Member
"Highly recommend this powerful performance by Cooper Bates. He invited us in and carried us so completely through his world, fully embodying each character in this one man show with vulnerability and sincerity. This is a piece that will stay with me a long time, remembering and feeling deeply all that was shared this evening. Cheers!"
Nicole Lemoine
Audience Member
"Entertaining, vulnerable, personal and relatable. Cooper Bates is fearless going into territory where we would least want to find ourselves."
Rollence Patugan
Audience Member
"After experiencing many of Cooper Bates’ performances, I can confidently say that he is a master storyteller. Smooth yet earnest, confident yet vulnerable, and full of grounded charisma.
“Black When I Was a Boy” Parts I & II presents significant insight of American culture rarely shared so delicately.
I found myself desperately wanting more story at the end of each Part and looking forward to what happens next in future chapters."
Patriq
Admirer of the Arts
"This was a terrific evening experience that transforms you to Dallas and multiple characters all of whom are played brilliantly by Cooper Bates. He manages to transform the stage that has few props into an imaginary scene where you visualize theater performances, farm life, mechanic garages, and casting offices. Often with just the twirl of a chair. His performance allows you to relax and enjoy the narrative while you cheer for certain of his characters and loathe others. I thoroughly enjoyed his performance. Don’t miss it."
Michele McFaull
Audience Member
"We absolutely loved this show. Cooper Bates’ vulnerability and immense talent in sharing his story was such a gift to receive. It was a somatic experience, hard to put into words, transforming our felt sense of how people of color experience the world. We have new eyes and a new understanding."
Audience Member
"Blacked Out" 369 Festival
"Loved the shows. Well done. Interesting narrative, and characters you wanted to see more of. Both are well developed pieces. Congrats."
Steve Mason
Audience Member
"Thought provoking, soul searching, critical two hours of awe. See it. You won't regret it!"
Audience Member
"Blacked Out" 369 Festival
"Heartfelt, personal, heartbreaking, hilarious - and ultimately a reminder both of how easy ugliness is to access, teach and learn, and also the redemption available in our common humanity. Cooper’s storytelling was open, sincere, simple, and true; his characterizations specific; his study of his characters’ behavior nuanced and delicate and deeply compassionate. It was a delight to watch his story come to life..."
Alexandra Hellquist
Actor
"These are the stories people need to be telling and hearing! It was good, like, "this guy should get an HBO special" good."
Christine Marie
Interdisciplinary Media Artist
"Cooper Bates has woven a story that’s at times hilarious and charming, but that in its often disarming humor opens a window that suddenly leaves us staring at a much bleaker landscape. It makes for theatre that is poignant, gripping and thoughtful."
Jonathan Dorf
Playwright, Screenwriter
"Though the show takes a little while to hit its stride, possibly because the chronology of events at times feels too comprehensive, Bates’s energy and toothy smile are endearing. And as the ‘cuts’ he experiences begin to mount, we increasingly feel the pain he carries with him. - RECOMMENDED"
Mayank Keshaviah
Stage Raw
"Black When I Was a Boy" is a piece so fully embodied, so alive and beautifully told. It was a solid, unabashed 90-minute performance par excellence... His strong medicine helped me, too!!! Thanks for sharing this with our community. What a tremendous gift! I hope you can bring it back to Asheville - More people need to hear your story."
Meta Commerse
Audience Member
"BLACK WHEN I WAS A BOY is raw, riveting, brave, funny, smart, and universal in its theme and depiction of claiming one's own identity with pride and determination. See it--you'll be blown away."
Lisa Mulcahy
Theater Director, Teacher
"Cooper Bates' one man show, Black When I Was a Boy is a truly heartfelt tale of that banishment from paradise so many of us experience when we first come to learn the sinful truth."
Ernest Kearney
thetvolution.com
"As hard as it was to watch these moments and empathize with the pain and rage he felt, the overall feel of the piece was hopeful...this is a solid #SeeItLA."
Kat Michels
See It Or Skip It LA
"This is a creative gift for anyone fortunate enough to share their heart, mind and time with Cooper and the stellar cast of his “one man” show, “Black When I Was a Boy.”
Max Gail
Actor
"What is so arresting and moving about this piece is the ethos of compassion, honesty, bravery and ethereal light that the artist maintains in response to such dehumanization. His perspective is so unique and yet the wisdom he offers through his actions are universal and grounding. And he does it all with such joy and humor."
Amandla Stenberg
Actor
"Black When I Was a Boy is gripping, unsettling, and transformative in the most positive and generative ways. Both Cooper Bates and his story telling ability is both entertaining and inviting."
Ashley Hernandez
Audience Member
"Last night we had the honor and privilege of attending last night's show by Cooper Bates and to be a part of the debriefing panel afterwards. There are absolutely no words to describe what it means to hear Cooper's story and to be in the room as he shares it. We could use the words awe inspiring, breathtaking, passionate, heart stopping, and magnificent and it still would somehow not be enough to really capture the experience"
www.ourvoice.org
OUR VOICE
369 Festival
"Story and message are powerful but I enjoyed Coopers acting the most. Morphing from character to character seamlessly, connecting on every beat. This may be a one man show but it feels like a film with rich dialogue, action, inner exploration and character development. Highly recommend!"
Marcin Nadolny
Hollywood Fringe Festival
"What a totally mesmerizing experience! Such incisive writing, such powerful acting in which his mellifluous voice and his physicality run the gamut of emotions from hearty laughter to near-uncontrolled rage! Both of Cooper Bate's stories, "Black When I Was a Child" and "Black'd Out", is a beautifully realistic portrayal of a young Black man growing up in a heavily white community. As an old white man I need to be often reminded of the racism, conscious and otherwise, that permeates our society and I was. But I also identified with the peer pressure, the desire to fit in, and the naivete of all young men, regardless of color, experience in their late teens and early twenties. I was on the edge of my seat and totally locked-in the whole two hours."
Henry Joy - Audience Member
"Blacked Out" 369 Festival
"BLACKED OUT left me devastated and uplifted in equal parts. From the moment Cooper took the stage, I was totally engaged. He was able to transform the black box theatre into so many different places and himself into so many different characters that I really left the play with vivid images of these scenes in my mind. I experienced SO MANY different emotions throughout this play. It really will make you laugh, cry, rejoice, despair and reflect on the experience of what it means to pursue your dreams as a black American. Everyone should see this play!!!"
Ora DeKornfeld
Documentary Director
Black When I Was a Boy
Starring Glendora Hall
"Why aren't you picking on Frankie, he's black, just like me?"
UPCOMING SHOWS
Son Of A Man chronicles the story of a young man deconstructing the emotional trauma he survived while growing up with an emotionally absent father. In an effort to make amends, his father Delano offers a thrilling and unexpected apology, with a surprising and life-changing gift scheduled to arrive via FedX. What ensues is an insightful journey that is both heart- breaking and enlightening, deepening our belief in the power of forgiveness.
Manfred Blane grew up hearing about the debate evenings that have been his family’s legacy since the Great Depression. The debates that began in barns eventually made their way to television under the moniker of American Americans, with Manfred himself as producer and host. The TV show, featuring debates about hot-bed issues, has quickly risen to great popularity amongst white conservatives, with debates covering “American” issues ranging from immigration and abortion to whether or not African Americans built our nation. However, the unspoken debate is whether or not American Americans should open up to contestants who are not white males. Clifton Jones, a 30-something Black man is determined to integrate the show. Manfred adamantly declares that Life Liberty 2.0, “Like the New Testament,” will only change over over his dead body or with the Second Coming. The real debate begins.
NOTICE:
The narrative device of Life Liberty 2.0 is a Game show. With both comical and dramatic elements. Think Monopoly and Jeopardy intersecting.
Julie Hesket’s easy life as a young, middle-class white woman was turned upside down when her beloved father was caught having an affair with a Black woman, and was killed by the woman’s husband on Julie’s 21st birthday. It’s been five years, and she and her twin brother Radi are still struggling to make sense of their feelings and relationships. While Julie battles depression and her brother processes his despair through violence against Black men, they both know that their lives — their own and each others — depend on healing. The play explores a return from the mental anguish of family loss, but only by layering tragedy upon tragedy.
Trigger Warning!
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