PLAYWRIGHT & PERFORMER
Award-winning playwright and performer whose work asks one question from every angle — what does it cost a person to feel valuable?
EXPLORE THE WORK ────
SON OF A MAN
"Son of a Man" explores the often-complicated dynamic between fathers and sons. The story follows Cooper, a man grappling with years of unspoken resentment towards his emotionally distant father, Delano. When Delano offers a significant gift – his own childhood baseball card collection – as a heartfelt gesture of apology, it becomes a catalyst for Cooper to confront a lifetime of unresolved issues. The play delves into universal themes of forgiveness, regret, and the yearning for connection. It asks the question: can we ever truly repair fractured relationships, especially with time running out?
BLACK WHEN I WAS A BOY: PART I
BLACK WHEN I WAS A BOY: PART II BLACK OUT
Frankie Bates arrives in Dallas, Texas from a small town with big ambitions and his eyes set on making it in the entertainment industry. Shortly after arriving, he is introduced to Mr. Pope, a mid-level, out-of-the-box-thinking businessman and shepherd of young talent. While Pope grooms and imparts wisdom to the young Kansas native, everything goes well for the two until it begins to go very wrong. Bad advice followed by an even worse choice changes the lives of both men, leading to the total devastation of their relationship and leaving Frankie at odds with the value of his life.
BLACK WHEN I WAS A BOY - BLACKED OUT: PART II
Black When I Was a Boy
Starring Glendora Hall
UPCOMING SHOWS
Son Of A Man chronicles the story of a young man deconstructing the emotional trauma he survived while growing up with an emotionally absent father. In an effort to make amends, his father Delano offers a thrilling and unexpected apology, with a surprising and life-changing gift scheduled to arrive via FedX. What ensues is an insightful journey that is both heart- breaking and enlightening, deepening our belief in the power of forgiveness.

Manfred Blane grew up hearing about the debate evenings that have been his family’s legacy since the Great Depression. The debates that began in barns eventually made their way to television under the moniker of American Americans, with Manfred himself as producer and host. The TV show, featuring debates about hot-bed issues, has quickly risen to great popularity amongst white conservatives, with debates covering “American” issues ranging from immigration and abortion to whether or not African Americans built our nation. However, the unspoken debate is whether or not American Americans should open up to contestants who are not white males. Clifton Jones, a 30-something Black man is determined to integrate the show. Manfred adamantly declares that Life Liberty 2.0, “Like the New Testament,” will only change over over his dead body or with the Second Coming. The real debate begins.
NOTICE:
The narrative device of Life Liberty 2.0 is a Game show. With both comical and dramatic elements. Think Monopoly and Jeopardy intersecting.
Julie Hesket’s easy life as a young, middle-class white woman was turned upside down when her beloved father was caught having an affair with a Black woman, and was killed by the woman’s husband on Julie’s 21st birthday. It’s been five years, and she and her twin brother Radi are still struggling to make sense of their feelings and relationships. While Julie battles depression and her brother processes his despair through violence against Black men, they both know that their lives — their own and each others — depend on healing. The play explores a return from the mental anguish of family loss, but only by layering tragedy upon tragedy.
Trigger Warning!
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